{"id":628,"date":"2021-10-19T15:41:18","date_gmt":"2021-10-19T18:41:18","guid":{"rendered":"http:\/\/seanima.org\/content\/?page_id=628"},"modified":"2021-11-09T18:43:04","modified_gmt":"2021-11-09T20:43:04","slug":"seanima-2021","status":"publish","type":"page","link":"http:\/\/seanima.org\/content\/seanima-2021\/","title":{"rendered":"Seanima 2021"},"content":{"rendered":"<p>O IV Semin\u00e1rio Brasileiro de Estudos em Anima\u00e7\u00e3o (Seanima) ser\u00e1 realizado em modo virtual, de <strong>09 a 11 de novembro de 2021.<\/strong>\u00a0 Voc\u00ea pode assistir as\u00a0 nosso canal do <strong><a href=\"https:\/\/www.youtube.com\/watch?v=l-mfQjA2NCY&amp;list=PL3pWCmQDeMyf1m2uHOHl7B9_fmQmm8XsD\">Youtube<\/a>\u00a0<\/strong><\/p>\n<p>Segue abaixo a <strong>programa\u00e7\u00e3o <\/strong><strong>do evento<\/strong><\/p>\n<h2><strong>ter\u00e7a-feira 09\/11\u00a0<\/strong><\/h2>\n<p><span style=\"font-weight: 400;\">09:30 \u00e0s 10:00\u00a0<\/span><strong><span style=\"color: #000000;\">\u00a0Abertura<br \/>\n<a href=\"https:\/\/youtu.be\/l-mfQjA2NCY\">link para a Abertura<\/a><\/span><\/strong><\/p>\n<p><span style=\"font-weight: 400;\">10:00 \u00e0s 11:40\u00a0<span style=\"color: #ff00ff;\"><strong>\u00a0INTERDISCIPLINARIDADE NA ANIMA\u00c7\u00c3O<br \/>\n<\/strong><\/span><\/span>intersec\u00e7\u00f5es da anima\u00e7\u00e3o com o cinema, audiovisual e design em suas \u00e1reas correlatas (games, motion graphics e efeitos visuais).<br \/>\n<strong><a href=\"https:\/\/youtu.be\/qrPPQjJhM1Y\">link para a Mesa 1\u00a0<\/a><\/strong><\/p>\n<table style=\"height: 364px;\" width=\"579\">\n<tbody>\n<tr>\n<td width=\"243\">Motion Graphics: uma proposta de classifica\u00e7\u00e3o<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Raphael Guaran\u00e1 Sagatio<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Impress\u00f5es da realidade: o uso de anima\u00e7\u00f5es por espa\u00e7os de mem\u00f3ria<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Daniel Grizante<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Projeto Aysha<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Raquel Beatriz Bretzke, Lucina Reitenbach Viana, Marcia Maria Alves, Ana Cl\u00e1udia Stangarlin Froes<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Proje\u00e7\u00e3o mapeada na pandemia: anima\u00e7\u00e3o e ativismo<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\">Jo\u00e3o Paulo Schlittler<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">14:00 \u00e0s 15:20<\/span><span style=\"color: #ff00ff;\"><strong>\u00a0PROCESSOS DE ANIMA\u00c7\u00c3O<br \/>\n<\/strong><\/span>Relatos, an\u00e1lises e reflex\u00f5es feitas acerca dos processos de cria\u00e7\u00e3o e produ\u00e7\u00e3o de anima\u00e7\u00f5es.<br \/>\n<strong><a href=\"https:\/\/youtu.be\/YmQrC92r5LQ\">link para a Mesa 2<\/a><\/strong><\/p>\n<table style=\"height: 325px;\" width=\"575\">\n<tbody>\n<tr>\n<td width=\"243\">O processo de cria\u00e7\u00e3o e produ\u00e7\u00e3o de &#8220;Ef\u00fagio&#8221;<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Rilary Wallace Duarte da Silva, Jorge Bueno da Silva Filho, Lucina Reitenbach Viana, Marcia Maria Alves<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Pr\u00e9-produ\u00e7\u00e3o de anima\u00e7\u00f5es 2D para a divulga\u00e7\u00e3o cient\u00edfica em um projeto de inicia\u00e7\u00e3o cient\u00edfica com equipe multidisciplinar<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Viviane Japiass\u00fa Viana<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Formas Animadas: visualidade que real\u00e7a a mudan\u00e7a no movimento de personagens<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Antonio Fialho<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">16:00 \u00e0s 17:00<\/span><span style=\"color: #ff00ff;\"><strong> SEANIMA P\u00d4STER<br \/>\n<\/strong><\/span>Relatos, an\u00e1lises e reflex\u00f5es feitas acerca dos processos de cria\u00e7\u00e3o e produ\u00e7\u00e3o de anima\u00e7\u00f5es.<br \/>\n<strong><a href=\"https:\/\/youtu.be\/QC_87Mv2Foo\">link para SENIMA POSTER<\/a><\/strong><\/p>\n<table style=\"height: 72px;\" width=\"580\">\n<tbody>\n<tr>\n<td width=\"243\">P\u00f4ster\/v\u00eddeos<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Let\u00edcia Coelho Lenz Cesar, Jo\u00e3o Pedro Felipe Silva<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">18:00 \u00e0s 19:30\u00a0<\/span><b><span style=\"color: #483d8b;\"><strong>SEANIMA CONVIDA:\u00a0Anima\u00e7\u00e3o em Pandemia<br \/>\n<a href=\"https:\/\/youtu.be\/qP18VcJuhpU\">link para o Seanima Convida #1<\/a><br \/>\n<\/strong><\/span><\/b><\/p>\n<table style=\"height: 300px;\" width=\"577\">\n<tbody>\n<tr>\n<td style=\"text-align: right;\" width=\"243\"><strong>Convidados<\/strong><\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Rosana Urbes (RRAnimation &#8211; SP)\u2028,<\/em><br \/>\n<em>Mar\u00e3o (Mar\u00e3o Filmes &#8211; RJ)<\/em><br \/>\n<em>Ulisses Brand\u00e3o (Viu Cine, PE)<\/em><br \/>\n<em>Luiz Fernando de Alencar (Immagini, MG)<\/em><br \/>\n<em>Aline Belli (Belli Studio &#8211; SC)<\/em><br \/>\n<em>Eliezer Fran\u00e7a (Muirak Studio, PA)<\/em><br \/>\n<em>Guilherme Ara\u00fajo (Estudio Provincia, GO)<\/em><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\" width=\"243\"><strong>Media\u00e7\u00e3o<\/strong><\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>\u00a0Claudia Bolshaw e Antonio Fialho<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<h1><strong>quarta-feira 10\/11\u00a0<\/strong><\/h1>\n<p><span style=\"font-weight: 400;\">10:00 \u00e0s 11:40\u00a0<\/span><strong><span style=\"color: #33cccc;\">EST\u00c9TICAS ANIMADAS<br \/>\n<\/span><\/strong>Estudos e teoriza\u00e7\u00f5es da linguagem da anima\u00e7\u00e3o nas suas diversas express\u00f5es (visual, cin\u00e9tica, dentre outras).<br \/>\n<a href=\"https:\/\/youtu.be\/Tek8M8iITBU\"><strong>link para a Mesa 3<\/strong><\/a><\/p>\n<table style=\"height: 364px;\" width=\"579\">\n<tbody>\n<tr>\n<td width=\"243\">Gal\u00e1xia visual em 4 tatames e meio: uma an\u00e1lise de Yojouhan Shinwa Taikei<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Luiz Felipe Baute<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Avalia\u00e7\u00e3o Sobre Anima\u00e7\u00e3o e Cinema de Vida Real: Semelhan\u00e7as e Diferen\u00e7as<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Eliane Gordeeff<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Brinquedos e tradi\u00e7\u00e3o: as est\u00e9ticas das vanguardas em Jabberwocky (1971)<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Lucca Nicoleli Adri\u00e3o,<br \/>\nMarcos Buccini<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">O m\u00edtico e o real na obra<br \/>\nO Boi Aru\u00e1<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Marcos Buccini<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">14:00 \u00e0s 15:40\u00a0<\/span><strong><span style=\"color: #33cccc;\">ANIMA\u00c7\u00c3O: FORMA\u00c7\u00c3O E EDUCA\u00c7\u00c3O<br \/>\n<\/span><\/strong>M\u00e9todos pedag\u00f3gicos de ensino-aprendizagem da anima\u00e7\u00e3o nos diversos n\u00edveis de forma\u00e7\u00e3o (t\u00e9cnico, gradua\u00e7\u00e3o, p\u00f3s-gradua\u00e7\u00e3o, entre outros).<br \/>\n<a href=\"https:\/\/youtu.be\/sTcsuW0iIJQ\"><strong>link para a Mesa 4<\/strong><\/a><\/p>\n<table style=\"height: 364px;\" width=\"579\">\n<tbody>\n<tr>\n<td width=\"243\">O ensino de anima\u00e7\u00e3o na modalidade remota durante a pandemia COVID-19: um estudo de caso sobre a experi\u00eancia no curso de cinema e audiovisual da UFS no per\u00edodo acad\u00eamico 2020.1<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Jean F\u00e1bio Borba Cerqueira<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Pequenos Homens Verdes &#8211; Uma proposta interdisciplinar<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Gabriel Filipe Santiago Cruz, Bruno Werneck Mintz<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Desenho Ambiental &#8211; Uma Experi\u00eancia de Educa\u00e7\u00e3o Remota para produ\u00e7\u00e3o de anima\u00e7\u00f5es focadas em tem\u00e1ticas ambientais por meio do processo participativo com escolas municipais de Joinville, SC<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Jos\u00e9 Francisco Peligrino Xavier, Viviane Cris Mendes Xavier, Marli Teresinha Everling<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">An\u00e1lise Cr\u00edtica da Anima\u00e7\u00e3o: Debates e abordagens na imprensa e na literatura especializada<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Celbi Pegoraro<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">18:00 \u00e0s 19:30\u00a0<\/span><b style=\"font-size: 1rem;\"><span style=\"color: #483d8b;\"><strong>SEANIMA CONVIDA:O Mouse e o Giz<br \/>\n<a href=\"https:\/\/youtu.be\/yJaWYkMUERI\">link para SEANIMA Convida\u00a0<\/a><\/strong><\/span><\/b><\/p>\n<table style=\"height: 200px;\" width=\"577\">\n<tbody>\n<tr>\n<td style=\"text-align: right;\" width=\"243\"><strong>Convidados<\/strong><\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Gabriel Cruz,<br \/>\nJo\u00e3o Paulo Schittler,<br \/>\nAlexandre Juruena,<br \/>\nMarcos Buccini,<br \/>\n<\/em><span data-sheets-formula-bar-text-style=\"font-size:13px;color:#333333;font-weight:normal;text-decoration:none;font-family:''Arial'';font-style:italic;text-decoration-skip-ink:none;\"><em>Carla Schneider,<\/em><br \/>\n<em>Malu Dias Marques<\/em><br \/>\n<\/span><\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\" width=\"243\"><strong>Media\u00e7\u00e3o<\/strong><\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>\u00a0Claudia Bolshaw e Antonio Fialho<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<hr \/>\n<h1><strong>quinta-feira 11\/11\u00a0<\/strong><\/h1>\n<p><span style=\"font-weight: 400;\">10:00 \u00e0s 11:20\u00a0<\/span><span style=\"font-weight: 400;\"><span style=\"color: #33cccc;\"><b>NARRATIVAS ANIMADAS<br \/>\n<\/b><\/span><\/span>Processos e intera\u00e7\u00f5es entre linguagens (escrita, visual e audiovisual) no que tange \u00e0 narrativa, seja ela linear ou n\u00e3o.<br \/>\n<a href=\"https:\/\/youtu.be\/ZZ9IDNRMPgk\"><strong>link para Mesa 5<\/strong><\/a><\/p>\n<table style=\"height: 364px;\" width=\"579\">\n<tbody>\n<tr>\n<td width=\"243\">A Nostalgia como guia narrativo e est\u00e9tico do filme O Menino e o Mundo<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Let\u00edcia Coelho Lenz Cesar<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Narrativa seriada em \u201cO Magn\u00edfico Universo de Nikki&#8221;<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Amanda da Costa de Mello, Lucina Reitenbach Viana,<br \/>\nMarcia Maria Alves<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">O passado presente: anima\u00e7\u00e3o e mem\u00f3ria pol\u00edtica no filme \u201cTorre\u201d<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Jennifer Jane Serra<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">14:00 \u00e0s 16:00\u00a0<\/span><strong><span style=\"color: #33cccc;\">ANIMA\u00c7\u00c3O, SOCIEDADE E MERCADO<br \/>\n<\/span><\/strong>Debates, an\u00e1lises e perspectivas sobre as pr\u00e1ticas s\u00f3cio-culturais, econ\u00f4micas e profissionais em torno da anima\u00e7\u00e3o.<br \/>\n<strong><a href=\"https:\/\/youtu.be\/_lmP4a_aKzQ\">link para Mesa 6\u00a0<\/a><\/strong><\/p>\n<table style=\"height: 364px;\" width=\"579\">\n<tbody>\n<tr>\n<td width=\"243\">O papel da Dire\u00e7\u00e3o de Arte na ambienta\u00e7\u00e3o e temporalidade da anima\u00e7\u00e3o Irm\u00e3o do Jorel<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Nath\u00e1lia Monteiro da Costa, Marcos Buccini<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">A Anima\u00e7\u00e3o Japonesa e a sua marca de distin\u00e7\u00e3o no Ocidente<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Gustavo de Melo Fran\u00e7a<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">A narrativa feminina na anima\u00e7\u00e3o de horror: um estudo de caso sobre &#8220;Ch\u00e1 de Sangue e Fio Vermelho&#8221; (2006)<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Maria Luiza Correa da Silva<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">A influ\u00eancia do ambiente universit\u00e1rio nas produ\u00e7\u00f5es das mulheres na anima\u00e7\u00e3o brasileira<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Carla Schneider, Laryssa Prado, Patr\u00edcia Lindoso, Claudia Bolshaw<\/em><\/td>\n<\/tr>\n<tr>\n<td width=\"243\">Problem\u00e1ticas na distribui\u00e7\u00e3o da anima\u00e7\u00e3o seriada pernambucana<\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Tiago de Jesus Santos Costa, Marcos Buccini<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">18:00 \u00e0s 19:30\u00a0<\/span><b><span style=\"color: #483d8b;\"><strong>SEANIMA CONVIDA: A Bancada do Batom<br \/>\n<a href=\"https:\/\/youtu.be\/DYSswR5Boxw\">Link para o SEANIMA Convida #2<\/a><\/strong><\/span><\/b><\/p>\n<table style=\"height: 200px;\" width=\"577\">\n<tbody>\n<tr>\n<td style=\"text-align: right;\" width=\"243\"><strong>Convidados<\/strong><\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\">Roberta Freitas,<br \/>\nGika Carvalho,<br \/>\nLaryssa Prado<br \/>\nJulia Niscolescu<br \/>\nAntonia Muniz<\/td>\n<\/tr>\n<tr>\n<td style=\"text-align: right;\" width=\"243\"><strong>Media\u00e7\u00e3o<\/strong><\/td>\n<td width=\"36\"><\/td>\n<td width=\"238\"><em>Claudia Bolshaw<\/em><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n<p><span style=\"font-weight: 400;\">19:30 \u00e0s 20:00\u00a0<\/span><b><span style=\"color: #483d8b;\"><strong>SEANIMA 2021: Encerramento<br \/>\n<a href=\"https:\/\/youtu.be\/1A4ODZzvmQY\">Link para o encerramento<\/a><\/strong><\/span><\/b><\/p>\n","protected":false},"excerpt":{"rendered":"<p>O IV Semin\u00e1rio Brasileiro de Estudos em Anima\u00e7\u00e3o (Seanima) ser\u00e1 realizado em modo virtual, de 09 a 11 de novembro de 2021.\u00a0 Voc\u00ea pode assistir as\u00a0 nosso canal do Youtube\u00a0 Segue abaixo a programa\u00e7\u00e3o do evento ter\u00e7a-feira 09\/11\u00a0 09:30 \u00e0s 10:00\u00a0\u00a0Abertura link para a Abertura 10:00 \u00e0s 11:40\u00a0\u00a0INTERDISCIPLINARIDADE NA ANIMA\u00c7\u00c3O intersec\u00e7\u00f5es da anima\u00e7\u00e3o com o &hellip; <\/p>\n<p class=\"link-more\"><a href=\"http:\/\/seanima.org\/content\/seanima-2021\/\" class=\"more-link\">Continue lendo<span class=\"screen-reader-text\"> &#8220;Seanima 2021&#8221;<\/span><\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"class_list":["post-628","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/pages\/628","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/comments?post=628"}],"version-history":[{"count":10,"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/pages\/628\/revisions"}],"predecessor-version":[{"id":647,"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/pages\/628\/revisions\/647"}],"wp:attachment":[{"href":"http:\/\/seanima.org\/content\/wp-json\/wp\/v2\/media?parent=628"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}